Talk
„Ecologies of Transmission. Art as Radar in the Age of Lived Electromagnetism”
Frequency Affects
Symposium organized by the Labex Arts H2H project ‘La fabrique des arts sonores’
November 17, 2016
Centre Pompidou Metz, France

Part of the research carried out in the framework of the Labex Arts H2H project, ‘La fabrique des arts sonores’, this symposium intends to question both the affective aspect of the sounds that surround us and participate in our many activities and also the specific affects and aesthetic experiences induced by sound art practices. Through an examination of historical and contemporary productions, the symposium will specifically aim to address the politics of works and experiments, and from there the situations, sites and cultural distributions of which they provide a renewed perception and apprehension. In a close dialogue with current research in sound studies, the idea here is to look into the politics of sound affects that are identifiable in areas as diverse as urban planning, media, ecology, sound reproduction technologies, migration flows and the various applications of speech recognition and speech synthesis software, as well as police use of sound and the strategies that now govern the development of sound design, in order to consider both the contribution of this research to the study of sound art and the ways in which artistic practices can problematise these subjects and the imaginary worlds accompanying them.


Talk
„Ecologies of Transmission. Artistic explorations of the taboos and secrets in today's lived electromagnetism”
Conference at the 10th Audiovisual Arts Festival, Corfu / Greece
TABOO - TRANSGRESSION - TRANSCENDENCE in Art & Science
May 20-22, 2016
Ionian University, Corfu, Greece

The Department of Audio and Visual Arts of the Ionian University organizes a two-day interdisciplinary conference with theoretical and artwork presentations under the theme of “Taboo - Transgression - Transcendence”, focusing on questions about the nature of the forbidden and the liminal as expressed in science and art.
Since the beginning of time, taboo has traced the edges of experience. As with Icarus, whose excitement made him forget the restrictions of his man-made wings leading to his fall towards death, humans have always been regulated by a set of rules defining the borders of knowledge and experimentation. What constitutes the limits of the accepted, however, has to be read within the ethical horizons of a specific time frame. It is not uncommon that what seems outrageously transgressive in one moment, can eventually transcend to a commonplace practice. (…)



Book presentation & panel discussion
Translating the Hyper-visible and the Invisible
transmediale 2016, conversation piece
February 6, 2016
Berlin, House of World Cultures

With: Víctor Mazón Gardoqui, Alona Rodeh, Daniela Silvestrin, Mario de Vega, Teresa Dillon, Carsten Stabenow
Within the last year the artist Alona Rodeh has published Safe and Sound, a collection of texts by invited authors on the audiovisual methods of safety and security, from which Rodeh created a series of visual responses. In the same year, Mario de Vega, Victor Mazón Gardoqui, and Daniela Silvestrin have published the book LIMEN, which invited a series of authors to write about the electromagnetic spectrum in response to de Vega’s sound work on invisibility and his collaborations with Gardoqui. Taking these two publications as starting points, this conversation between the authors and the curator and designer Carsten Stabenow will reflect on artist-led publications and research processes and the aesthetics of print media as a means to communicate ideas on sound, visual art, and contemporary social issues.



Talk & panel discussion
„LIMEN. Ecologies of Transmission“
Panel on Ecosystems/Life
Symposium STRATA: Art and Science Collaborations in the Anthropocene
January 15, 2016
Aberystwyth University, Arts Centre

CP Snow’s Rede lecture of 1959 (‘The Two Cultures’) considered the humanities and sciences to be two separate strata. Arguably, a large degree of separation has remained ever since. Yet with the subsequent rise in awareness of the need to manage human impacts on the Earth, there have been calls for more integrated, holistic modes of thinking that involve greater engagement between multiple strata in academia and wider society. Such calls have been brought into sharp focus by debate over the Anthropocene, a proposed new geological time interval that suggests that humans are now the dominant influence shaping the Earth system. Are human activities such as agriculture, mining and urbanisation leaving distinctive ‘footprints’ in the Earth’s strata that will endure into the future and so enter the long-term geological record? What are the practical, cultural, ethical and moral implications of such a proposal?
To examine these and other questions, Strata brings together practitioners who work collaboratively across the arts and sciences (both broadly defined) in addressing the concept of the Anthropocene. The symposium’s principal remit is to consider the ways in which art and science collaborations are responding to the Anthropocene debate by representing the past, present and future impacts of human activity on the Earth system.
The symposium is concurrent with the exhibition ‘Stranded’ by Heather Ackroyd and Dan Harvey at the Arts Centre, and is a collaboration between the School of Art (SoA) and the Department of Geography and Earth Sciences (DGES), organised by Julian Ruddock (SoA) and Stephen Tooth (DGES). Support is provided by the British Society for Geomorphology’s ‘Visualising Geomorphology’ Working Group.