Book of Anonymity
Edited by Anon Collective
punctum books (forthcoming, spring 2021)
Digital technologies challenge what anonymity means, how it might be achieved and why it matters. Current and future media, information, identification, and surveillance technologies and dictums of transparency are transforming how anonymity is being done and undone. The Book of Anonymity brings together contributions by social anthropologists, sociologists, media scholars, art historians, and artists. It features ethnographic research, conceptual work and artistic practice conducted in France, Germany, India, Iran, Switzerland, the UK, and the US. From police to hacking cultures, from Bitcoin to sperm donation, from Yik-Yak to Amazon and Ikea, from DNA to Big Data – the contributions address how configurations and reconfigurations of anonymity shape everyday worlds, and with them our concepts of privacy, private property, person, self, kin, addiction, currency, and labor.The experiments, empirical research and theoretical reflections provide a kaleidoscopic vision of the political, ethical and conceptual ambivalences and shifting contours of contemporary anonymity regimes.
The book is edited by the Anon Collective, and the contributions are published anonymously. It is an experiment in anonymity and an intervention into the valuation regimes of academic and artistic knowledge production.The Book of Anonymity is written in the tradition of author-less texts. Editing and contributing anonymously constitute experiments in anonymity that speak to the aggressive valuation regimes shaping contemporary artistic and academic knowledge productions alike. This is not to discount the usefulness of attribution, but to trouble the ease with which labour is still dissected, measured and attached to the nexus of person, value and knowledge. To name, one contribution insists is to “define people, things, as individuals, to mark them, hold them, hierarchize them, to press them into service and turn them into value.” Another contribution advocates and questions if an ethics of anonymity can engender the kind of care that individualised practices arguably strive for yet undermine. Not all contributions speak to such concerns directly but all consider what is at stake in the im/possibilities of anonymous expression, at a time of thick digital traces. Editing and contributing anonymously thus is a practical commitment to one of the red threads that criss-cross the kaleidoscopic accounts presented in this book.
Dialogues on “Bioart” #1. A conversation with Jens Hauser
In: INTERVISTA CON LA NEW MEDIA ART. L'osservatorio Digicult tra arte, design e cultura digitale
Edited by Marco Mancuso
Mimesis Edizioni (2020)
Il libro Intervista con la New Media Art. L’osservatorio Digicult tra arte, design e cultura digitale si basa sull’esperienza di una delle più importanti piattaforme internazionali indipendenti in rete, fondata dal critico e curatore Marco Mancuso, che nel corso degli ultimi quindici anni ha monitorato l’evoluzione e l’impatto delle tecnologie e della scienza sull’arte, il design e la società contemporanea. Attraverso una serie di saggi scritti da alcuni dei suoi autori più importanti e una ricchissima collezione di interviste a sessanta artisti e designer che hanno segnato la storia della New Media Art dal 2005 a oggi, il volume evidenzia come i codici e i linguaggi dell’arte tecnologica siano gli strumenti ideali per un approccio multidisciplinare, una radicale osservazione e una profonda comprensione della realtà culturale ed espressiva che caratterizza il nuovo millennio.
On the Potential for Change: The Play of Forces in the Work of Mario de Vega
In: Energies in the Arts
Edited by Douglas Kahn
Cambridge, MIT Press (May 2019)
This book investigates energies—in the plural, the energies embedded and embodied in everything under the sun— as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the first multidisciplinary investigation of the concepts and material realities of energy coursing through the arts. Just as Douglas Kahn's earlier books helped introduce sound as a category for study in the arts, this new volume will be a foundational volume for future explorers in a largely uncharted domain.
The chapter "On the Potential for Change: The Play of Forces in the Work of Mario de Vega" surveys the work of contemporary Berlin-based Mexican artist Mario de Vega and the energies that lie within them. Addressing his installations, performances, and book designs, this chapter traces the ways in which de Vega critiques society’s unwavering faith in technology through an engagement with physical and human energies. Utilising materials ranging from sound, gunpowder, laser beams, labor forces, and electromagnetic radiation, de Vega foregrounds the “ghost in the machine”; the latent and overlooked energies that await activation.
Other contributors are: Susan Ballard, Jennifer Biddle, Marcus Boon, Joan Brassil, Steven Connor, Milford Graves, Daniel Hackbarth, Linda Dalrymple Henderson, Caroline A. Jones, Douglas Kahn, David Mather, Stephen Muecke, James Nisbet, Michael Taussig, John Tresch, Melissa Warak
As the dust settles.
singuhr-editions, Berlin 2018
Edited by Carsten Seiffarth & Markus Steffens
"Berghain in Berlin is a special place, whose role, function and very own personality offer plenty of inspiration to reflect on the connections between sound, architecture, history, interpersonal relationships, subculture and society. While the front part of the former power station houses the club's premises, another enormous hall adjoins the rear area of the building – which was constructed in 1953 and is now a listed building –, located on the back side of the club’s dance floor. Ceilings almost 20 meters high, rough, unplastered walls, concrete pillars and massive charcoal chutes hanging from the ceiling like swords of Damocles create the scenario for the artistic interventions presented here – just like "DUST", the sound installation by Katarzyna Krakowiak developed specifically for the Halle am Berghain, which makes her one of the few artists who have been able to present a work here so far. (...)"
Text accompanying "DUST" by Katarzyna Krakowiak, an architectural sound installation commissioned by singuhr-projekte Berlin, presented at the Halle am Berghain from May 18 - June 3, 2018.
Ecologies of Transmission: Artistic Explorations of the Taboos and Secrets in Today’s Lived Electromagnetism
In: TABOO ‒ TRANSGRESSION ‒ TRANSCENDENCE in Art & Science: Proceedings of Interdisciplinary Conference, 2016
Editors: Dalila Honorato, Andreas Giannakoulopoulos
Published by Ionian University | Department of Audio and Visual Arts, Corfu 2017
"Taboo-Transgression-Transcendence in Art & Science" started as a wish to explore three different levels of conception and perception of the aesthetics and ethics in the field of art & science. During its maturing process the project developed towards the exploration of the line where art and science meet and therefore also the border where they divide. The three "T" initials condensate three ideas. First the forbidden, a convention that is so deeply rooted that few seem to be willing to break it. Second the defiance, the challenge to the convention itself either through the resistance to execute an order or through the direct action against the status quo. Third, the sublimation, the transition to an alternative state that overcomes the expected intermediary stages in linear conceptualization, here connected with the expansion of limits.
By Daniela Silvestrin & Christian Rauch
Essay for: SOFA Magazine #2, Cyberlove (March 2017)
— “GOOD MORNING, SIRI.”
— “HI, DANIELA. IT’S 13:46, BY THE WAY.”
When we tell Siri “I love you”, Siri answers back: “All you need is love. And your iPad”. Weirdness and commercialism aside, Daniela and Christian uncover an emerging emotional relationship between people and our machines.
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Susanna Hertrich – Körperfiktionen und Sinnes-Apparate
Essay für: DIALOGE 05. Gesellschaftswissenschaften und Kunst - Magazin zur Ausstellung des Hessischen Landesmuseums Darmstadt und der Schader-Stiftung
Zur Ausstellung "Human Upgrade: Susanna Hertrich & Hannes Wiedemann", Galerie der Schader-Stiftung, 14.10.2016 - 05.03.2017
Die direkte körperliche Verbindung von Mensch und Technik, welche die Phantasie des Menschen seit Jahrhunderten anregt, hat sich im 21. Jahrhundert real konkretisiert. Nicht nur die Ergänzung durch prothesenhafte Gebilde wurde verfeinert, sondern technische Apparaturen sind ein interner Teil des Körpers geworden. Diese Verbindung wirft Fragen ethischer sowie politischer und soziologischer Natur auf, rührt doch der Mensch damit an sein Selbstverständnis als autonomes Wesen.
Die Schader-Stiftung und das Hessische Landesmuseum Darmstadt gemeinsam konzipierte Ausstellungen. Die auf eine Verbindung von Gesellschaftswissenschaften und Praxis zielenden Forschungsfelder der Schader-Stiftung stehen im Dialog mit der Kunst der Gegenwart.
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The Thrill of Riding the Wave
In: LIMEN. Ecologies of Transmission
Editors: Mario de Vega, Victor Mazon Gardoqui, Daniela Silvestrin
Mexico City & Berlin, published by 17, and ñ, 2016
LIMEN takes the spectrum of human-made radio waves and the seeming stability of our contemporary societies dependent on instant communication as an area of exploration and exposes the zones of manufactured ignorance in techno-scientific developments.
Building a dialogue with the artistic research by Mario de Vega and Victor Mazon that explores and critically addresses this sphere otherwise not accessible to human senses, the publication brings together a series of contributions and collaborations that address different aspects of the proliferation of electromagnetic signals produced by wireless telecommunication and other devices based on microwave technologies. The focus thereby lies on the discussion of their impact on human interaction as well as their implications for social and emotional exchange, their interaction with living systems within different ecologies, and biopolitical implications of governmental control over their use.
A limited edition of this publication includes an electronic device integrated into a special book cover, capable of intercepting high frequency radio-wave activity produced by wireless ICT appliances, translating it into an audio signal perceivable by humans. This outcome is based on the application of inverse engineering methodologies that log the frequency range of electric signals emitted by security cameras, mobile phones, cordless phones, GPS, WiFi, Bluetooth, and other devices based on microwave and radar technology.
Futures in Excess
PostScriptUM #17, Ljubljana 2014
Series edited by Janez Janša
“Historians divide geological eras into different “ages”, and we can say that ours is the Plastic Age. This human-generated organic material is now part of the natural world, as the Great Pacific Plastic Patch shows. For Daniela Silvestrin, a cultural manager and curator specialized in bioart, this is where the artistic speculation of artist Pinar Yolas starts. (…)”
>> Available as download (PDF) or print on demand here
An Ecosystem of Excess - Interview with Pinar Yoldas
published: September 2013
In: uncertain space - Media Art all over?, transmediale Magazine no. 1, 2013
Daniela Silvestrin talkes to Pinar Yoldas, selected artist in the Vilém Flusser Residency Program for Artistic Research 2013. The program is offered by transmediale in cooperation with the Flusser Archive at the University of Arts (UdK) in Berlin. (…)
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